啊！漫游 - 性别研究档案 | Flaneuse：Archives of Gender Studies
以往，女性身影几乎不得见诸于史册，历史论述多集中于男性视角，但是，女性不是被限定的生命经验，女性视角也是一种观点和可能。经由这个视点我们可以去重新观察历史与社会，倾听那些往往不被听到的女性声音和女性成就。
以阅读、对谈与问答三种方式邀请读者以另一种轻松的方式进入女性理论世界，尝试打破学术性与艺术性书籍的边界。在外形设计上运用“口袋”概念，打破文献作为一个高高在上的、被锁在档案库里的，或者作为某种典藏版出现的，只有特权的知识分子或精英可以去阅读的形态。而是能够更多的流动起来，更易于传播。
In the past, women hardly appeared in the history books, and most historical discussions focused on the male perspective. However, women are not limited life experience, but female perspective is also a point of view and possibility.
From this perspective, we can re-observe history and society, and listen to women's voices and achievements that are often not heard.
Through reading, conversation and question and answer, readers are invited to enter the world of female theory in another relaxed way, trying to break the boundary between academic and artistic books.
The concept of "pocket" is used in the shape design to break the form of literature as a high, locked in the archives, or as some kind of collection edition, which can only be read by privileged intellectuals or elites.
It's more fluid, it's easier to spread.
以劳伦·埃尔金《漫游女子：徜徉在巴黎、纽约、东京、威尼斯和伦敦》中的概念为引，择“漫游”二字作为设计主名称的概念。源于劳伦·埃尔金在读大学时开始对行走的女性产生兴趣并尝试创造出“漫游女子”（flaneuse）一词，与“漫游者”形成二元性对比，却遭到了大多数人的反对。当“漫游者”的形象，成为波德莱尔、本雅明、爱伦·坡的笔下津津乐道的形象，被当做一个现代性的符号去研究和审美的时候，女性漫游者却在文学、历史和理论等研究中长期被忽视。
如果说行走也是一种阅读和理解的方式，那么女性所在的档案世界究竟是什么样的，她们又如何在其中发现和塑造着自我？
The concept of "Wandering Woman: Wandering in Paris, New York, Tokyo, Venice and London" by Lauren Elgin was cited as the main name of the design. Lauren Elgin began to be interested in walking women when she was in college and tried to create the word "flaneuse", which formed a duality contrast with "flaneuse", but was opposed by most people. While the image of "wanderer" has become a favorite image in the works of Baudelaire, Benjamin and Allan POE, and is studied and aesthetically regarded as a symbol of modernity, female wanderer has been neglected for a long time in literature, history and theoretical studies.
If walking is also a way of reading and understanding, what is the archival world of women, and how do they discover and shape themselves in it?
在弥散的父权制文化之下，女性如何在具体的生活中去实践平等、自由和爱，男性又该如何摆脱固有枷锁，进行自我反思？
Under the diffuse patriarchal culture, how do women practice equality, freedom and love in their concrete life, and how do men get rid of the inherent shackles and reflect on themselves?
参考档案管理局收录文本信息的形态进行档案内页及信封袋的设计，收录手稿、通信往来和非正式文献等作为信息素材，提供了对历史、社会、社会风俗的独特视角，以及不断变化的对性与性文化的看法。
Inside pages and envelopes are designed with reference to the form of text information collected by the Archives Administration. Manuscripts, correspondence and informal documents are included as information materials, providing a unique perspective on history, society and social mores, as well as a changing view of sex and sexual culture.
以“男子气概”、“身体写作与阴性书写”、“厌女症”为报纸刊物的主题，阐释定义并采集父权社会下的真实案例，集合为三份报刊，
展现体制下的社会缩影及生活百态。
展现体制下的社会缩影及生活百态。
以敞开的文献世界为文化积淀，期以带给观者“朝向性别空间与思考的实验性探索”
With the open literature world as the cultural accumulation, it aims to bring the audience "experimental exploration towards gender space and thinking".
